These sculptures imagine relics from another world, another time. Their forms recall monumental fragments, idols, ceremonial objects, markers. Yet their medium is truthful.

The stones, gathered from around the world, date back as much as half a billion years—a scale out of material reference to humans. Formed long before civilization, they carry histories of organic origin, intense pressure, heat, and travel. Crafted with humility for their long legacy, they are reduced into a new joint legacy for perhaps a half a billion more.

Light marks the interstice in these forms: a narrow gap between things, a boundary between times and realities. A medium of cosmic matter, energy beyond our full understanding, yet with a presence instinctively felt. It suggests distant stars, unseen forces, and the persistent human desire to locate ourselves within a universe too vast to comprehend.

In the scale of the cosmos, even this legacy will eventually return to dust. 

The same fate awaits every monument, every civilization, every trace we leave behind.

And yet we continue.